Edit once and crop three ways, or edit three times: 4:5, 1:1, 9:16

Crop one 4:5 edit to 1:1 and 9:16 in Pillow, or edit per shape. A crop keeps 80% of the height or 70.3% of the width; three edits cost three times as much.

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Edit once and crop, if the subject sits in the middle of the frame; edit three times, if a square or a story-shaped crop would cut it off. A 4:5 frame cropped to 1:1 keeps 80% of its height, and cropped to 9:16 keeps about 70.3% of its width. On Ideogram 4.5 at medium quality on Sume, one edit is $0.075 and three are $0.225.

The crop arithmetic

Take a 4:5 image, 1080 wide by 1350 high. A 1:1 crop is 1080x1080, which keeps 1080 of 1350 rows, or 80%. A 9:16 crop at full height is 759x1350, since 1350 x 9 / 16 is 759.4; that keeps 759 of 1080 columns, 70.3%, so almost a third of the width is cut. Anything near the left or right edge disappears.

What a crop from a 4:5 edit keeps (read 2026-10-07)
TargetPixel size from 1080x1350Share keptCost on Sume (Ideogram 4.5, medium)
4:51080x1350100%$0.075
1:11080x108080% of height$0 extra
9:16759x135070.3% of width$0 extra
Three separate editsthree fileseach full frame$0.225

When to edit separately

The Image API docs say Ideogram 4.5 keeps the source shape on an edit when aspect_ratio is omitted, and per Morphic the model supports ratios from 1:6 to 6:1. Setting aspect_ratio on an edit asks for a new shape; check the first result before running the batch.

  • The new object sits near an edge of the 4:5 frame, where a 9:16 crop would cut it.
  • The result needs breathing room above or below, which a tall story format has and a square does not.
  • You want the model to compose for the shape instead of trimming a finished picture.

The workflow

Edit the 4:5 hero first, since it is the shape most feeds display. Crop 1:1 and 9:16 in Pillow with a box centred on the subject, and look at both. Where a crop fails, run an edit for that shape only. In practice you rarely need all three edits: a product on a plain surface can be cropped, while a scene with props at the edges needs the second pass.

Check the crop on a phone-sized preview, not only on a desktop monitor. A 9:16 story is viewed small, and interface elements can cover the bottom of the frame, so a product that sits low in the picture can be hidden. Keep the subject in the middle third of the height and leave the lower edge empty.

A simple rule for batches: edit at the shape of the hardest placement, which is usually 9:16 because it loses the most width, then crop wider shapes from it. A 9:16 frame cropped to 1:1 keeps 56.25% of its height (9 of 16), so check that your subject survives that crop too before you pick the master.

Crop from a lossless file. Save the edit as PNG, crop, and only then export JPEG for the placement, so the crop does not add a second round of compression to an already compressed file.

A related question, whether to edit the original large file or a downsized one, is covered in editing a high-resolution photo without downsizing.

Sources

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